By Anthony Lewis Brooks, Elif Ayiter, Onur Yazicigil
This publication constitutes the completely refereed complaints of the Fourth foreign convention on Arts and expertise, ArtsIT 2014, held in Istanbul, Turkey, in November 2014. The 17 revised complete papers awarded have been conscientiously chosen and reviewed from a variety of submissions. ArtsIT has turn into a number one clinical discussion board for the dissemination of state-of-the-art study ends up in the realm of arts, layout and expertise. The papers specialize in IT applied sciences, artists, designers and commercial individuals and provide content material creators instruments that extend the technique of expression of the conventional layout field.
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Additional resources for Arts and Technology: Fourth International Conference, ArtsIT 2014, Istanbul, Turkey, November 10-12, 2014, Revised Selected Papers
Through projected visualizations, viewers become cognizant of the robots’ autonomy and their search for subjects of interest based on each robots unique perceptual interests. Spectators may reﬂect on the technological and cultural roles of autonomous systems. The installation space contains two screens or projections on which are depicted four visualizations. The ﬁrst screen represents the perceptions of each of the three cameras, in other words a depiction of what each camera is seeing with its unique computer vision algorithm.
Descartes’s Theory of Mind, p. 197. Oxford University Press, Oxford (2005) 3. : Life as “self-motion”: descartes and the aristotelians on the soul as the life of the body. Rev. Metaphys. 59, 723 (2006) 4. : The Body Social: Symbolism, Self, and Society, p. 13. Routledge, New York (1993) 5. ), p. 221. Basic Books, New York (1957) The Technology and the Performing Body in the Arts of Contemporary Societies 27 6. Vitruvian man @ Wikipedia. org/wiki/Vitruvian_Man. Accessed 31 March 2014 7. net/gallery/Slant/8359265.
1 Manipulated Bodies – Manipulated Spectators Gordon Craig, reminds us very well how important is to rule and to be ruled on stage. He “insisted on total control over any production he was involved in”  including props and humans. According to his theory, the actor must leave from the stage. To be replaced The Technology and the Performing Body in the Arts of Contemporary Societies 25 by a soulless ﬁgure, which we can call Uber-marionette until it gains a better-digniﬁed name . He adored puppets, because he believed that they are superior creatures, free from emotions, senses, guilt and judgments.
Arts and Technology: Fourth International Conference, ArtsIT 2014, Istanbul, Turkey, November 10-12, 2014, Revised Selected Papers by Anthony Lewis Brooks, Elif Ayiter, Onur Yazicigil