By Victor Deupi
Architectural Temperance examines relatives among Bourbon Spain and papal Rome (1700-1759) during the lens of cultural politics. With a spotlight on key Spanish architects despatched to check in Rome by means of the Bourbon Kings, the ebook additionally discusses the institution of a software of architectural schooling on the newly based genuine Academia de Bellas Artes de San Fernando in Madrid.
Victor Deupi explores why a robust kingdom like Spain may mood its personal development traditions with the extra cosmopolitan tendencies linked to Rome frequently on the price of its personal nationwide and nearby traditions.
Through the inclusion of formerly unpublished records and photographs that make clear the theoretical debates which formed eighteenth-century structure in Rome and Madrid, Architectural Temperance presents readers with new insights into the cultural historical past of early smooth Spain
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Additional info for Architectural Temperance: Spain and Rome, 1700-1759
As both Elías Tormo y Monzó (1942), and Alessandra Anselmi (2012) have noted, there were also many other Spanish related churches throughout the city that represented distinct kingdoms or duchies such as the Sicilians and Calabrians. There were also many churches that were patronized by Spanish individuals or religious orders. We have already seen the important role that Santa Maria Maggiore played in the late fifteenth century and then again in the early eighteenth. Equally important in the late fifteenth century was the Franciscan church of San Pietro in Montorio, as its foundation was related to funds provided directly by the Catholic Monarchs (Dandelet 2001: 2–3).
The church of San Giacomo occupied an oratory dedicated to Saint Andrew as well as the adjacent monastery of the Benedettini del Soratte, and other private houses. 2 San Giacomo degli Spagnoli, Rome. BHR: bhpd31418a. 3 Giuseppe Vasi, “San Giacomo degli Spagnoli,” from I collegj, spedali e luoghi pii… Rome (1759). BHR: Dg 536-3470/9 gr raro. and female hospices that were located elsewhere in the city. It was run by the Cofradía de la Santísima Resurrección, or confraternity of the church, which was founded on March 15, 1579, during the papacy of Gregory XIII Boncompagni (1572–85), and placed under the protection of Philip II, King of Spain.
The set pieces designed for these celebrations were usually constructed of timber, cloth and plaster, sometimes larger than any of the surrounding buildings, and often served as a base for pyrotechnic displays. The annual presentation of the Chinea, the gift of a white Neapolitan horse delivered to the pope by the ambassadors extraordinary in gratitude for the fiefdom of Naples, was perhaps the most symbolic ritual in the city, taking place annually on the feast of saints Italian grandeur 39 Peter and Paul on June 28–29 (Gori Sassoli 1994; Moore 1995).
Architectural Temperance: Spain and Rome, 1700-1759 by Victor Deupi